2004-Present
Conflating personal documentary, performative image-documents, constructed/deconstructed imagery, photo-sculptural actions, and found images, this series denies the elevation of authorial, stylistic uniformity typically found in a photographic series. Instead, I create discrete conceptual gestures that, as an amalgam over time, propose expanded photography’s capability to bear witness. The disparate content and techniques in the project ask for a high level of reconciliation to create meanings for the viewer, and embrace rhizomatic tracings of (photographic) history.
×
×