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New acquisitions to permanent collections 2023-2024: Whitney Museum of American Art (NY), Marjorie Barrick Museum of Art (NV), Ringling Museum of Art (FL)
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Contributing Writer, Stephanie Syjuco: The Unruly Archive, Radius Books, April 2024
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Museum of Contemporary Art Chicago, Enter the Mirror, Sept 10, 2022 – July 23, 2023
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ARTFORUM: Warhol Foundation Announces Grantees, Jan 12, 2022
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Ringling Museum, Metadata: Rethinking Photography in the 21st Century, Sarasota, FL. March 5 – August 28, 2022, exhibition catalogue available here
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Tampa Museum of Art, Skyway 2021, Featured Artist Video here
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bitforms gallery NYC: Public_Public_Address, October 27 – November 9, 2020
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Berkeley Art Museum and Pacific Film Archive, Artist Lecture, University of California at Berkeley, October 1, 2020
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Hyperallergic: Reflecting on the Mistakes I’ve Made as an Art Critic, by Seph Rodney, May 29, 2020.
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Coronavirus Readings for Artists included in the Miller ICA at Carnegie Mellon’s Remote Control #1 ePublication, March 2020
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Work featured in Political Sign by Tobias Carroll, Bloomsbury Academic, 2020
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REVIEW: Hyperallergic, Fatigued by the Everyday? These Artists Are, Too by Gabrielle Walsh, 2/13/20
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Work featured in Photographic Returns: Racial Justice and the Time of Photography, by Shawn Michelle Smith, Duke University, 2020
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Andrew Rafacz Gallery, Empathy Fatigue, Chicago, IL opens January 10, 2020
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Ryan Lee Gallery, An Asterisk for the High Line, NYC, opens January 16, 2020
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Museum of Contemporary Art, Fragments of a Crucifixion, 5/25-11/3/2019, Chicago, IL
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Work published in Picture Industry, A Provisional History of the Technical Image, 1844–2018, Edited by Walead Beshty
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Work published in Emanations: The Art of the Cameraless Photograph, by Geoffrey Batchen
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202-456-1111, a project monograph with a companion text by Martha Rosler, available here
Jason Lazarus is an artist exploring vision and visibility. His work includes a range of fluid methodologies: original, found and appropriated images, text-as-image, photo-derived sculptures made collaboratively with the public, live archives, LED light images, and public submission repositories among others. This expanded photographic practice seeks new approaches of inquiry, embodiment, and bearing witness through both individual and collective research.
His work has been covered in outlets including Artforum, The New York Times, Frieze, The Guardian, Hyperallergic, Los Angeles Times, NPR, The Washington Post, CNN, and Vice Magazine, and written about by a range of artists and scholars including Martha Rosler, Hamza Walker, Michelle Grabner, Abigail Solomon Godeau, Seph Rodney, Tina Kukielski, Darby English, Christopher Knight, Carmen Winant, Seph Rodney, Ariana Reines, and Lori Waxman among others.
Selected exhibition venues include SF MOMA, Art Institute of Chicago, MASS MoCA, MCA Chicago, George Eastman Museum, Queens Museum of Art, High Museum of Art, Renaissance Society, Museum of Contemporary Art Detroit, Ryan Lee Gallery NYC, Exgirlfriend Gallery Berlin, Contemporary Jewish Museum SF, Andrew Rafacz Gallery, Columbia University, Stadtgalerie Kiel 9, Kunstlerhaus Behanien Berlin, Gallery 400, bitforms Gallery NYC, Blaffer Art Museum Houston, Biennial of Photography and Visual Arts Belgium, and the Museum of Contemporary Photography.
Selected public lectures include Yale University, International Center of Photography, Museum of Contemporary Art Chicago; George Eastman Museum NY, the Art Institute of Chicago, University of California Berkeley, and Artists/Designs/Citizen (US Pavilion, 2018 Venice Architecture Biennale) among others.
Selected permanent collections include the Whitney Museum of American Art, Art Institute of Chicago, SFMOMA, Museum of Contemporary Art Chicago, High Museum of Art, Milwaukee Museum of Art, Museum of Contemporary Photography Chicago, and the Ringling Museum of Art among others.
Lazarus is also Co-director of Coco Hunday, an artist-run exhibition space in Tampa, FL anchored by solo exhibitions, artist-lectures, and new scholarship on emerging and mid-career artists; Director, PDF-OBJECTS, a nomadic sculpture library featuring over 100 international artists’ chosen readings sculpturally paired with everyday objects; Co-founder of #firstdayfirstimage, a national campaign that asks artist-educators to center voices long underrepresented in curricula starting with the first image shown to students on the first day of class; and Co-founder of Chicago Artist Writers, a platform that invites artists and art workers to write traditional and experimental criticism.
Currently, Lazarus is an Associate Professor of Art and Art History at the University of South Florida.
for CV click the link on the lower left corner of your screen
website by Useful Art Services
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Artforum (Critics Picks) by Claudine Ise
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NY Times Reviews 99 Cents or Less
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Frieze Review by Carmen Winant
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Los Angeles Times Review by Christopher Knight
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Art Agenda Review by Jeanne Gerrity
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Hyperallergic Review by Seph Rodney
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NY Times “In Books and Art, the New Life of old Photography” by Su Wu
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Hyperallergic Review: A Contemporary Approach to Religious Symbols, by Gabrielle Welsh
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Review of 202-456-1111 by Roula Seikaly
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Vice Interview with Matthew Leifheit
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REVIEW: The Seen: Chicago’s Journal of Contemporary Art, Tensions of Access by Maggie Wong, 4/20/19
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Hyperallergic, Fatigued by the Everyday? These Artists Are, Too by Gabrielle Walsh, 2/13/20
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Frieze Review by Zachary Cahill
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Artforum, Preview by Lori Waxman
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NPR, The Picture Show by Mito Habe-Evans
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Frieze Review by Jason Foumberg
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Chicago Tribune, Steve Johnson
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Art Slant, James Pepper Kelly
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Granta (Collaboration w/Ariana Reines)
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The Guardian, Nadja Sayej
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Kansas City Star Review by Alice Thorson
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American Art, The Afterimages of Emmett Till by Shawn Michelle Smith
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Carla, Interview with Hamza Walker by Julie Weitz
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Text Zur Kunst, George Baker on painting, critique, and empathy in the Emmett Till / Whitney Biennial debate
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Artforum Review by Huey Copeland
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