7243 N. Nebraska (Tampa, FL)
LED lights
7 ft 1 in x 13 ft 9 in
2016
Chicago, IL, April 16, 2016- ANDREW RAFACZ presents The Rickshaw, a solo exhibition of two installations and a photograph by Jason Lazarus. The exhibition continues through Saturday, May 21, 2016.
left to right: Eric Garner chokehold excerpted still image, documented by Ramsey Orta, July 17, 2014; Walker Evans Storefront and Signs, Beaufort, South Carolina, 1936; Zoe Leonard, Century, 2006; Stonewall Inn (photo by N.S. Beranek, blogger/tourist, 2014); Gordon Parks, Department Store, Mobile, Alabama, 1956; Martha Rosler, The Bowery in two inadequate descriptive systems (1974–1975); Eugene Atget, Prostitute Taking her Shift, La Villette circa 1920; Black Panther Party storefront in Oakland, CA; excerpted from Black Panthers: Vanguard of the Revolution, 2016
Color Pigment Printer Inks, 100 Carbon Inks
11 ft x 26 ft
2016
left: Niketown, Magnificent Mile (Afterimage Study) Chicago Black Friday Protest, November 27, 2015 (Original reportage image made by Al Aninon)
Archival pigment print, 37 in x 28 in
2016
right: Eric Garner chokehold excerpted still image, documented by Ramsey Orta, July 17, 2014
2016
Niketown, Magnificent Mile (Afterimage Study) Chicago Black Friday Protest, November 27, 2015
(Original reportage image made by Al Aninon)
Archival pigment print, 37 in x 28 in
2016
detail left to right:
Gordon Parks, Department Store, Mobile, Alabama, 1956;, Martha Rosler, The Bowery in two inadequate descriptive systems (1974–1975);, Eugene Atget, Prostitute Taking her Shift, La Villette circa 1920;, Black Panther Party storefront in Oakland, CA; excerpted from Black Panthers: Vanguard of the Revolution, 2016,
Comprised of Color Pigment Printer Inks
2016
detail
Walker Evans Storefront and Signs, Beaufort, South Carolina, 1936; Zoe Leonard, Century
2006
Eric Garner chokehold excerpted still image, documented by Ramsey Orta, July 17, 2014
Color Pigment Printer Inks
2016
Niketown, Magnificent Mile (Afterimage Study)
Chicago Black Friday Protest, November 27, 2015
(Original reportage image made by Al Aninon)
Archival pigment print, 37 in x 28 in
2016
detail
